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Ostentatious Sansho

#c3e178
Notes

Ostentatious Sansho (#C3E178) is a true lime with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (77°, 64%, 68%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c3e178
RGB
rgb(195, 225, 120)
HSL
hsl(77, 64%, 68%)
HWB
hwb(77 47% 12%)
OKLCH
oklch(86.5% 0.136 122.4)
P3
color(display-p3 0.7873 0.8788 0.5219)
HSV
hsv(77, 47%, 88%)
LAB
lab(85.41% -26.02 47.84)
LCH
lch(85.41% 54.46 118.54)
CMYK
cmyk(13%, 0%, 47%, 12%)

Etymology

Ostentatious
adjective

Latin ostentātiōnis, display — adjectival suffix -ous, derived from ostendere (to show). As a color modifier, ostentatious implies a saturated-and-attention-demanding-and-elaborate quality, the bright color of Belle-Époque-and-Gilded-Age showy-luxury-display interior-decoration. Sits at the bright-and-flamboyant end of the grid, parallel to flamboyant and showy in usage.

Sansho
noun

Zanthoxylum piperitum, the Japanese sansho pepper — related to Sichuan peppercorn, with citrus-tinted numbing flavor used in unagi glazes and the spice mix shichimi tōgarashi. The color refers to fresh-ground sansho powder in a small ceramic bowl: a saturated, slightly cool yellow-green with the matte finish of dried citrus-family seed.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c3e178
Original
#ecd66f
Protanopia
#e8d57e
Deuteranopia
#cad8c8
Tritanopia
#d3d3d3
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.46:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
14.36:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C3E178
Display P3
Display P3
color(display-p3 0.7873 0.8788 0.5219)
P3 has subtle headroomOKLCH chroma 0.136

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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