Lustrous Pecan
Lustrous Pecan (#C37F03) is a true amber with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (39°, 97%, 39%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
From the Latin lustrare, to illuminate — used as a color word since the seventeenth century for hues with the slight specular shine of polished metal or silk. Lustrous green, lustrous gold: the implication is moderate-to-high saturation combined with surface reflectivity. Sits at the bright-and-glossy corner alongside gleaming.
Carya illinoinensis, a North American hickory whose nut was a staple of pre-Columbian diet across the Mississippi watershed. The English name traces to the Algonquian pakani. The color refers to the meat of a shelled pecan: a warm, slightly red-toned tan with the matte finish of dried plant tissue. Warmer than almond, more saturated than walnut, with the autumn-orchard sweetness implied by the word.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.