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Fortified Caper Crimson

#c35651
Notes

Fortified Caper Crimson (#C35651) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (3°, 49%, 54%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c35651
RGB
rgb(195, 86, 81)
HSL
hsl(3, 49%, 54%)
HWB
hwb(3 32% 24%)
OKLCH
oklch(59.0% 0.141 25.0)
P3
color(display-p3 0.7121 0.3625 0.3336)
HSV
hsv(3, 58%, 76%)
LAB
lab(50.52% 43.27 24.50)
LCH
lch(50.52% 49.72 29.52)
CMYK
cmyk(0%, 56%, 58%, 24%)

Etymology

Fortified
adjective

Latin fortificāre, to make strong — past-participle of fortify. As a color modifier, fortified implies a saturated-and-strengthened-and-defensive quality, the deep-rich color of Vauban-style military-fortification stone-and-earth rampart-and-bastion architecture. Sits at the bold-and-fortified end of the grid, parallel to bastioned and armored.

Caper
modifier

Greek κάππαρις, Mediterranean-pickled-bud. As a color modifier, caper implies a Mediterranean-pickled-bud-and-briny-tang quality, the visual register of Pantelleria-and-Sicilian-caper hand-Mediterranean-pickled-bud-and-briny-tang Pantelleria-and-Sicilian-caper-and-Aeolian-Islands caper-and-Mediterranean-pickled-bud surfaces under Pantelleria-and-Sicilian-caper-and-Aeolian-Islands Pantelleria-and-Aeolian-and-Sicilian Mediterranean-brine-light. Sits at the modifier-and-flavor end of the grid, parallel to anise and tang in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c35651
Original
#716a50
Protanopia
#8c814f
Deuteranopia
#d54355
Tritanopia
#6d6d6d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.40:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.77:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C35651
Display P3
Display P3
color(display-p3 0.7121 0.3625 0.3336)
P3 has subtle headroomOKLCH chroma 0.141

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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