Bold Shawl Rose

Old English beald, brave, courageous — a quality word that crossed over to color in the late seventeenth century. Bold describes a color that asserts itself: high saturation combined with mid lightness, where the hue presents itself without compromise. Sits at the center of the bold-bucket grid, near strong and rich. Closer to a presence word than a pigment word.

Persian shāl, long-folded-wrap. As a color modifier, shawl implies a Persian-Kashmiri-and-paisley-folded-wrap quality, the visual register of Persian-Kashmiri-and-paisley-shawl hand-Persian-Kashmiri-and-paisley-folded-wrap Persian-Kashmiri-and-paisley-shawl-and-Norwich-and-Paisley-loom shawl-and-Persian-Kashmiri-and-paisley-folded-wrap surfaces under Persian-Kashmiri-and-paisley-shawl-and-Norwich-and-Paisley-loom Mughal-Kashmir-and-Norwich-and-Paisley-loom paisley-shawl-light. Sits at the modifier-and-textile end of the grid, parallel to stole and sash in usage.

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.