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Abundant Terra Crimson

#c25f7f
Notes

Abundant Terra Crimson (#C25F7F) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (341°, 45%, 57%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c25f7f
RGB
rgb(194, 95, 127)
HSL
hsl(341, 45%, 57%)
HWB
hwb(341 37% 24%)
OKLCH
oklch(61.3% 0.131 1.2)
P3
color(display-p3 0.7111 0.3938 0.4964)
HSV
hsv(341, 51%, 76%)
LAB
lab(53.16% 43.00 0.86)
LCH
lch(53.16% 43.01 1.15)
CMYK
cmyk(0%, 51%, 35%, 24%)

Etymology

Abundant
adjective

Latin abundāre, to overflow — present-participle of abound. As a color modifier, abundant implies a saturated-and-plentiful quality where the hue carries surplus visual richness beyond minimum requirement. Sits at the bold-and-saturated end of the grid, parallel to plentiful and bountiful.

Terra
modifier

Latin terra, earth-or-land. As a color modifier, terra implies a earth-globe-and-loamy-and-grounded quality, the visual register of Pale-Blue-Dot-and-Apollo-Terra hand-earth-globe-and-loamy-and-grounded Pale-Blue-Dot-and-Apollo-and-Earthrise terra-and-earth-globe-and-loamy-and-grounded surfaces under Pale-Blue-Dot-and-Apollo-and-Earthrise lunar-orbit-and-deep-space earth-globe-light. Sits at the modifier-and-cosmic end of the grid, parallel to luna and sol in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c25f7f
Original
#6f7380
Protanopia
#89867d
Deuteranopia
#d0576b
Tritanopia
#767676
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.01:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.24:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C25F7F
Display P3
Display P3
color(display-p3 0.7111 0.3938 0.4964)
P3 has subtle headroomOKLCH chroma 0.131

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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