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Poised Virtus Crimson

#c25745
Notes

Poised Virtus Crimson (#C25745) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (9°, 51%, 52%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c25745
RGB
rgb(194, 87, 69)
HSL
hsl(9, 51%, 52%)
HWB
hwb(9 27% 24%)
OKLCH
oklch(58.8% 0.141 31.4)
P3
color(display-p3 0.7088 0.3656 0.2940)
HSV
hsv(9, 64%, 76%)
LAB
lab(50.36% 41.58 31.22)
LCH
lch(50.36% 52.00 36.90)
CMYK
cmyk(0%, 55%, 64%, 24%)

Etymology

Poised
adjective

Old French peser, to weigh — past-participle of poise. As a color modifier, poised implies a saturated-and-balanced-and-confident quality where the hue holds its position with elegant equilibrium. Sits at the bold-and-confident end of the grid, parallel to centered and composed.

Virtus
modifier

Latin virtus, manliness-and-courage-and-virtue. As a color modifier, virtus implies a Roman-virtus-and-stoic-and-Cardinal-Virtues quality, the visual register of Roman-virtus-and-Stoic-Cardinal-Virtues hand-Roman-virtus-and-stoic-and-Cardinal-Virtues Roman-virtus-and-Stoic-Cardinal-Virtues-and-Marcus-Aurelius virtus-and-Roman-virtus surfaces under Roman-virtus-and-Stoic-Cardinal-Virtues-and-Marcus-Aurelius Republican-Rome-and-Marcus-Aurelius Stoic-virtue-light. Sits at the modifier-and-Latin end of the grid, parallel to senex and dux in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c25745
Original
#736943
Protanopia
#8d8143
Deuteranopia
#d44253
Tritanopia
#6c6c6c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.43:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.74:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C25745
Display P3
Display P3
color(display-p3 0.7088 0.3656 0.2940)
P3 has subtle headroomOKLCH chroma 0.141

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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