Armored Pillar Crimson

Old French armëure, armor — past-participle of armor, derived from Latin arma (weapons). As a color modifier, armored implies a saturated-and-armor-clad-and-defensive quality, the deep-rich color of medieval-knight full-plate-armor visible-and-formidable battle-presence. Sits at the bold-and-fortified end of the grid, parallel to ironclad and shielded.

Latin pīla, pillar. As a color modifier, pillar implies a vertical-load-bearing-and-monumental quality, the visual register of Roman-and-Greek-and-Egyptian-Pillar hand-cut Doric-and-Ionic-and-Corinthian-Egyptian column-and-pillar monumental-architecture surfaces under classical-pillar monumental-architecture light. Sits at the modifier-and-architecture end of the grid, parallel to column and plinth in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.