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Praetorian Easter Crimson

#c2352a
Notes

Praetorian Easter Crimson (#C2352A) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (4°, 64%, 46%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c2352a
RGB
rgb(194, 53, 42)
HSL
hsl(4, 64%, 46%)
HWB
hwb(4 16% 24%)
OKLCH
oklch(54.3% 0.180 28.9)
P3
color(display-p3 0.7014 0.2536 0.1993)
HSV
hsv(4, 78%, 76%)
LAB
lab(44.50% 55.00 39.72)
LCH
lch(44.50% 67.84 35.83)
CMYK
cmyk(0%, 73%, 78%, 24%)

Etymology

Praetorian
adjective

Latin praetōriānus, of the praetor — adjectival suffix, referring to the Roman-Imperial elite guard-cohorts. As a color modifier, praetorian implies a saturated-and-elite-and-imperial-guard quality, the deep-rich color of Roman-Praetorian-Guard elite-imperial-bodyguard scarlet-tunic-and-bronze-armor military-formation. Sits at the bold-and-formal end of the grid, parallel to spartan and imperial.

Easter
modifier

Old English Ēastre, Easter. As a color modifier, easter implies a Paschal-and-spring-feast quality, the visual register of Roman-Catholic-and-Anglican Easter-feast spring-resurrection white-and-gold-and-cream paschal liturgical surfaces under Paschal-feast spring-resurrection candlelight. Sits at the modifier-and-time end of the grid, parallel to advent and yule in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c2352a
Original
#5f5627
Protanopia
#827424
Deuteranopia
#d60034
Tritanopia
#525252
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.47:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.84:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C2352A
Display P3
Display P3
color(display-p3 0.7014 0.2536 0.1993)
P3 has subtle headroomOKLCH chroma 0.180

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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