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Earnest Gleam Hibiscus

#c22d5c
Notes

Earnest Gleam Hibiscus (#C22D5C) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (341°, 62%, 47%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c22d5c
RGB
rgb(194, 45, 92)
HSL
hsl(341, 62%, 47%)
HWB
hwb(341 18% 24%)
OKLCH
oklch(54.5% 0.186 7.6)
P3
color(display-p3 0.7003 0.2301 0.3633)
HSV
hsv(341, 77%, 76%)
LAB
lab(44.41% 60.49 9.54)
LCH
lch(44.41% 61.24 8.96)
CMYK
cmyk(0%, 77%, 53%, 24%)

Etymology

Earnest
adjective

Old English eornost, seriousness, zeal. Used as a color modifier since the nineteenth century for hues that read as committed but unshowy — the working blues of denim, the deep greens of Quaker meetinghouses. Sits in the bold-and-quiet corner of the grid, slightly less luminous than resolute and slightly less institutional than imperial.

Gleam
modifier

Old English glǣm, brightness-or-shine. As a color modifier, gleam implies a low-and-glancing-and-bright quality, the visual register of polished-armor-and-river-water-gleam hand-polished-and-glancing-and-bright polished-armor-and-river-water-and-blade-edge gleamed-and-polished-and-glancing surfaces under polished-armor-and-river-water blade-edge-and-helm-and-shield medieval-tournament-light. Sits at the modifier-and-mood end of the grid, parallel to glint and sheen in usage.

Hibiscus
noun

Hibiscus rosa-sinensis — the showy mallow of Pacific gardens, the Hawaiian state flower, the source of the deep red sorrel tea sold across West Africa as bissap. The color refers to a fully open hibiscus petal at midday: a hot, slightly magenta red with the velvet texture of a single-day bloom. By evening the same flower has wilted; by morning it's gone.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c22d5c
Original
#54565d
Protanopia
#7b7458
Deuteranopia
#d40041
Tritanopia
#505050
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.49:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.82:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C22D5C
Display P3
Display P3
color(display-p3 0.7003 0.2301 0.3633)
P3 has visible headroomOKLCH chroma 0.186

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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