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Lustrous Constantinople

#c160e8
Notes

Lustrous Constantinople (#C160E8) is a true violet with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (283°, 75%, 64%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c160e8
RGB
rgb(193, 96, 232)
HSL
hsl(283, 75%, 64%)
HWB
hwb(283 38% 9%)
OKLCH
oklch(66.0% 0.210 315.1)
P3
color(display-p3 0.7079 0.3970 0.8820)
HSV
hsv(283, 59%, 91%)
LAB
lab(57.59% 59.79 -52.92)
LCH
lch(57.59% 79.85 318.49)
CMYK
cmyk(17%, 59%, 0%, 9%)

Etymology

Lustrous
adjective

From the Latin lustrare, to illuminate — used as a color word since the seventeenth century for hues with the slight specular shine of polished metal or silk. Lustrous green, lustrous gold: the implication is moderate-to-high saturation combined with surface reflectivity. Sits at the bright-and-glossy corner alongside gleaming.

Constantinople
noun

Byzantine imperial capital (founded 324 CE as Nova Roma, fell 1453 CE) — and the regulatory home of the purpura monopoly, where Tyrian purple was a state-controlled imperial dye after Justinian I's edict (530 CE). Constantinople color refers to an Empress Theodora San Vitale mosaic robe: a saturated, slightly cool deep violet with the matte finish of multi-bath Tyrian shellfish dye on Byzantine silk.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c160e8
Original
#3885ec
Protanopia
#5e8de5
Deuteranopia
#be789b
Tritanopia
#7e7e7e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.44:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.11:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C160E8
Display P3
Display P3
color(display-p3 0.7079 0.3970 0.8820)
P3 has visible headroomOKLCH chroma 0.210

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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