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Triumphant Bliss Rose

#c15a6d
Notes

Triumphant Bliss Rose (#C15A6D) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (349°, 45%, 55%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c15a6d
RGB
rgb(193, 90, 109)
HSL
hsl(349, 45%, 55%)
HWB
hwb(349 35% 24%)
OKLCH
oklch(59.9% 0.133 10.4)
P3
color(display-p3 0.7061 0.3758 0.4311)
HSV
hsv(349, 53%, 76%)
LAB
lab(51.56% 43.10 9.25)
LCH
lch(51.56% 44.08 12.12)
CMYK
cmyk(0%, 53%, 44%, 24%)

Etymology

Triumphant
adjective

Latin triumphāns, celebrating victory — present-participle of triumphāre. As a color modifier, triumphant implies a saturated-and-celebratory-and-victorious quality, the deep-rich color of Roman-Imperial-period triumphal-arch spolia relief and Arch-of-Titus victory imagery. Sits at the bold-and-celebratory end of the grid, parallel to victorious and conquering.

Bliss
modifier

Old English blīths, joy-or-delight. As a color modifier, bliss implies a deep-joy-and-rapture-and-contentment quality, the visual register of Beatific-Vision-and-Elysian-Field-bliss hand-deep-joy-and-rapture-and-contentment Beatific-Vision-and-Elysian-Field-and-paradise-meadow blissed-and-deep-joy-and-rapture surfaces under Beatific-Vision-and-Elysian-Field-and-paradise-meadow heavenly-and-rapturous-and-blessed paradise-light. Sits at the modifier-and-mood end of the grid, parallel to joy and mirth in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c15a6d
Original
#6f6e6d
Protanopia
#89836b
Deuteranopia
#d14e61
Tritanopia
#717171
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.24:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.95:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C15A6D
Display P3
Display P3
color(display-p3 0.7061 0.3758 0.4311)
P3 has subtle headroomOKLCH chroma 0.133

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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