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Fortified Lull Rose

#c15a6c
Notes

Fortified Lull Rose (#C15A6C) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (350°, 45%, 55%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c15a6c
RGB
rgb(193, 90, 108)
HSL
hsl(350, 45%, 55%)
HWB
hwb(350 35% 24%)
OKLCH
oklch(59.9% 0.133 11.1)
P3
color(display-p3 0.7061 0.3758 0.4276)
HSV
hsv(350, 53%, 76%)
LAB
lab(51.54% 42.99 9.81)
LCH
lch(51.54% 44.10 12.86)
CMYK
cmyk(0%, 53%, 44%, 24%)

Etymology

Fortified
adjective

Latin fortificāre, to make strong — past-participle of fortify. As a color modifier, fortified implies a saturated-and-strengthened-and-defensive quality, the deep-rich color of Vauban-style military-fortification stone-and-earth rampart-and-bastion architecture. Sits at the bold-and-fortified end of the grid, parallel to bastioned and armored.

Lull
modifier

Middle English lullen, to-sing-to-sleep. As a color modifier, lull implies a hushed-and-pacified-and-cradled quality, the visual register of cradle-song-and-vesper-lull hand-cradled-and-rocked cradle-and-cot-and-crib hand-rocked-and-sung-to-lulled-and-cradled lulled-and-cradled surfaces under cradle-song-and-vesper hush-and-quiet-and-still bedside-and-nursery-light. Sits at the modifier-and-mood end of the grid, parallel to hush and soothe in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c15a6c
Original
#6f6e6c
Protanopia
#89836a
Deuteranopia
#d14e61
Tritanopia
#717171
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.25:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.95:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C15A6C
Display P3
Display P3
color(display-p3 0.7061 0.3758 0.4276)
P3 has subtle headroomOKLCH chroma 0.133

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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