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Anchored Sigh Ruby

#c14742
Notes

Anchored Sigh Ruby (#C14742) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (2°, 51%, 51%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c14742
RGB
rgb(193, 71, 66)
HSL
hsl(2, 51%, 51%)
HWB
hwb(2 26% 24%)
OKLCH
oklch(56.4% 0.158 25.8)
P3
color(display-p3 0.7013 0.3106 0.2790)
HSV
hsv(2, 66%, 76%)
LAB
lab(47.29% 48.55 29.15)
LCH
lch(47.29% 56.63 30.99)
CMYK
cmyk(0%, 63%, 66%, 24%)

Etymology

Anchored
adjective

The past participle of anchor, used since the late nineteenth century as a metaphor for secured in place. As a color word, anchored implies a deep saturated tone that grounds a palette — the dark blues, deep greens, and browns that hold a composition together. Sits in the bold-and-deep corner of the grid alongside solid.

Sigh
modifier

Middle English sighen, to-breathe-out-audibly. As a color modifier, sigh implies a breathed-out-and-released-and-wistful quality, the visual register of Romantic-poet-and-pining-lover-sigh hand-breathed-out-and-released-and-pining Romantic-poet-and-pining-lover-and-bedside-vigil sighed-and-released-and-breathed-out surfaces under Romantic-poet-and-pining-lover candle-lit-and-bedside-vigil window-and-balcony-light. Sits at the modifier-and-mood end of the grid, parallel to yearn and brood in usage.

Ruby
noun

From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c14742
Original
#676041
Protanopia
#867a3f
Deuteranopia
#d42c47
Tritanopia
#616161
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.94:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.25:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C14742
Display P3
Display P3
color(display-p3 0.7013 0.3106 0.2790)
P3 has subtle headroomOKLCH chroma 0.158

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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