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Lavish Vita Brick

#c13f65
Notes

Lavish Vita Brick (#C13F65) is a true red with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (342°, 51%, 50%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c13f65
RGB
rgb(193, 63, 101)
HSL
hsl(342, 51%, 50%)
HWB
hwb(342 25% 24%)
OKLCH
oklch(56.3% 0.167 6.6)
P3
color(display-p3 0.6996 0.2844 0.3976)
HSV
hsv(342, 67%, 76%)
LAB
lab(46.76% 54.57 7.28)
LCH
lch(46.76% 55.05 7.60)
CMYK
cmyk(0%, 67%, 48%, 24%)

Etymology

Lavish
adjective

Old French lavasse, downpour — sharing root with laver (to wash). As a color modifier, lavish implies a saturated-and-extravagant quality where the hue spills over its visual boundaries with luxurious pigmentation. Sits at the bold-and-saturated end of the grid, parallel to opulent and sumptuous in usage.

Vita
modifier

Latin vita, life-or-living. As a color modifier, vita implies a Latin-life-and-living-quality quality, the visual register of Roman-vita-and-dolce-vita-Latin-life hand-Latin-life-and-living-quality Roman-vita-and-dolce-vita-Latin-life-and-Vergilian-pastoral vita-and-Latin-life-and-living-quality surfaces under Roman-vita-and-dolce-vita-Latin-life-and-Vergilian-pastoral Augustan-Rome-and-Renaissance-Italy living-Roman-light. Sits at the modifier-and-Latin end of the grid, parallel to amor and via in usage.

Brick
noun

Fired clay, mineral red. The color refers to common building brick — iron-rich earthenware kilned to the specific dusky red-orange of a Victorian terrace, a Roman aqueduct, an adobe wall in New Mexico. Less saturated than ruby, warmer than burgundy, with a chalky cast that reads as architectural rather than decorative.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c13f65
Original
#5c5e66
Protanopia
#7e7862
Deuteranopia
#d22b4e
Tritanopia
#5d5d5d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.04:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.17:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C13F65
Display P3
Display P3
color(display-p3 0.6996 0.2844 0.3976)
P3 has subtle headroomOKLCH chroma 0.167

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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