colors
Back to gallery

Chivalrous Sufi Crimson

#c1352f
Notes

Chivalrous Sufi Crimson (#C1352F) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (2°, 61%, 47%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c1352f
RGB
rgb(193, 53, 47)
HSL
hsl(2, 61%, 47%)
HWB
hwb(2 18% 24%)
OKLCH
oklch(54.2% 0.178 27.4)
P3
color(display-p3 0.6978 0.2531 0.2138)
HSV
hsv(2, 76%, 76%)
LAB
lab(44.37% 54.87 36.74)
LCH
lch(44.37% 66.03 33.80)
CMYK
cmyk(0%, 73%, 76%, 24%)

Etymology

Chivalrous
adjective

Old French chevaleros, knightly — adjectival suffix -ous, derived from cheval (horse). As a color modifier, chivalrous implies a saturated-and-knightly-and-gallant quality, the deep-rich color of medieval-Romance chanson-de-geste hero-and-troubadour song tradition. Sits at the bold-and-chivalrous end of the grid, parallel to gallant and knightly.

Sufi
modifier

Arabic صوفي, Sufi. As a color modifier, sufi implies a Whirling-Dervish-and-mystical-Islamic quality, the visual register of Persian-and-Anatolian-Sufi Sufi hand-woven robe-and-felt-cap-and-whirling-dance Sufi-mystical-Islamic surfaces under Konya-and-Persian Sufi-Whirling-Dervish ceremonial-robe candlelight. Sits at the modifier-and-cultural end of the grid, parallel to zen and tao in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c1352f
Original
#5e552d
Protanopia
#81742a
Deuteranopia
#d40035
Tritanopia
#525252
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.50:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.82:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C1352F
Display P3
Display P3
color(display-p3 0.6978 0.2531 0.2138)
P3 has subtle headroomOKLCH chroma 0.178

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas