colors
Back to gallery

Chivalrous Via Crimson

#c13465
Notes

Chivalrous Via Crimson (#C13465) is a true magenta with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (339°, 58%, 48%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c13465
RGB
rgb(193, 52, 101)
HSL
hsl(339, 58%, 48%)
HWB
hwb(339 20% 24%)
OKLCH
oklch(55.2% 0.180 4.4)
P3
color(display-p3 0.6977 0.2501 0.3960)
HSV
hsv(339, 73%, 76%)
LAB
lab(45.27% 58.68 5.16)
LCH
lch(45.27% 58.91 5.03)
CMYK
cmyk(0%, 73%, 48%, 24%)

Etymology

Chivalrous
adjective

Old French chevaleros, knightly — adjectival suffix -ous, derived from cheval (horse). As a color modifier, chivalrous implies a saturated-and-knightly-and-gallant quality, the deep-rich color of medieval-Romance chanson-de-geste hero-and-troubadour song tradition. Sits at the bold-and-chivalrous end of the grid, parallel to gallant and knightly.

Via
modifier

Latin via, road-or-way. As a color modifier, via implies a Latin-road-and-Roman-Via-Appia quality, the visual register of Roman-Via-Appia-and-Via-Aemilia hand-Latin-road-and-Roman-Via-Appia Roman-Via-Appia-and-Via-Aemilia-and-Via-Egnatia via-and-Latin-road surfaces under Roman-Via-Appia-and-Via-Aemilia-and-Via-Egnatia Republican-Rome-and-imperial-road-network basalt-paved-Roman-road-light. Sits at the modifier-and-Latin end of the grid, parallel to arbor and domus in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c13465
Original
#555966
Protanopia
#7a7562
Deuteranopia
#d21849
Tritanopia
#565656
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.32:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.95:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C13465
Display P3
Display P3
color(display-p3 0.6977 0.2501 0.3960)
P3 has subtle headroomOKLCH chroma 0.180

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas