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Smoldering Parsec Rose

#c1123c
Notes

Smoldering Parsec Rose (#C1123C) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (346°, 83%, 41%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c1123c
RGB
rgb(193, 18, 60)
HSL
hsl(346, 83%, 41%)
HWB
hwb(346 7% 24%)
OKLCH
oklch(52.0% 0.200 17.3)
P3
color(display-p3 0.6941 0.1663 0.2495)
HSV
hsv(346, 91%, 76%)
LAB
lab(41.37% 64.39 25.45)
LCH
lch(41.37% 69.24 21.57)
CMYK
cmyk(0%, 91%, 69%, 24%)

Etymology

Smoldering
adjective

The progressive participle of smolder, to burn slowly without flame. Used as a color word since the late nineteenth century for the deep reds and oranges of barely-flame coal — the warm saturated darks where the heat is internal rather than emitted. Sits in the bold-and-warm corner, slightly less luminous than burning and slightly less calm than rich.

Parsec
modifier

Coined 1913, parallax-second. As a color modifier, parsec implies a deep-space-and-stellar-distance quality, the visual register of 3.26-light-year-parsec hand-deep-space-and-stellar-distance 3.26-light-year-and-Hipparcos-and-Gaia-parsec parsec-and-deep-space-and-stellar-distance surfaces under 3.26-light-year-and-Hipparcos-and-Gaia-parsec galactic-cartography-and-stellar-cradle stellar-distance-light. Sits at the modifier-and-cosmic end of the grid, parallel to orbit and nebula in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c1123c
Original
#4f4b3c
Protanopia
#796e37
Deuteranopia
#d40027
Tritanopia
#3a3a3a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.14:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.42:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C1123C
Display P3
Display P3
color(display-p3 0.6941 0.1663 0.2495)
P3 has visible headroomOKLCH chroma 0.200

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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