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Flaming Mûre

#c050f9
Notes

Flaming Mûre (#C050F9) is a true violet with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (280°, 93%, 65%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c050f9
RGB
rgb(192, 80, 249)
HSL
hsl(280, 93%, 65%)
HWB
hwb(280 31% 2%)
OKLCH
oklch(65.0% 0.247 311.9)
P3
color(display-p3 0.6998 0.3407 0.9440)
HSV
hsv(280, 68%, 98%)
LAB
lab(55.87% 70.15 -65.16)
LCH
lch(55.87% 95.74 317.11)
CMYK
cmyk(23%, 68%, 0%, 2%)

Etymology

Flaming
adjective

Old French flamme, flame — present-participle of flame. As a color modifier, flaming implies a saturated-and-fire-and-bright-color quality, the bright color of autumn-Maple-and-Oak deciduous-foliage fall-color and Yule-log fire emission. Sits at the bright-and-warm end of the grid, parallel to fiery and blazing in usage.

Mûre
noun

French for blackberry / mulberry (Rubus fruticosus / Morus nigra) — the deep-violet aggregate-drupe of European hedgerows and Morus tree-fruit, both important anthocyanin-rich autumn fruits. Mûre color refers to a freshly picked Rubus fruticosus aggregate-drupe in a Berry hedgerow: a saturated, slightly cool deep violet with the matte finish of anthocyanin-rich aggregate-drupelet cluster on hand-collected fruit.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c050f9
Original
#0080fe
Protanopia
#3d88f5
Deuteranopia
#b9749f
Tritanopia
#747474
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.65:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.76:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C050F9
Display P3
Display P3
color(display-p3 0.6998 0.3407 0.9440)
P3 has visible headroomOKLCH chroma 0.247

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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