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Assured Balm Crimson

#c02f2b
Notes

Assured Balm Crimson (#C02F2B) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (2°, 63%, 46%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c02f2b
RGB
rgb(192, 47, 43)
HSL
hsl(2, 63%, 46%)
HWB
hwb(2 17% 25%)
OKLCH
oklch(53.4% 0.182 27.1)
P3
color(display-p3 0.6934 0.2347 0.1999)
HSV
hsv(2, 78%, 75%)
LAB
lab(43.39% 56.48 37.88)
LCH
lch(43.39% 68.00 33.85)
CMYK
cmyk(0%, 76%, 78%, 25%)

Etymology

Assured
adjective

Old French aseürer, to give assurance — past-participle of assure. As a color modifier, assured implies a saturated-and-confident quality where the hue carries unwavering certainty about its own visual identity. Sits at the bold-and-confident end of the grid, parallel to certain and poised.

Balm
modifier

Latin balsamum, aromatic-resin-and-soothing-oil. As a color modifier, balm implies an aromatic-resin-and-soothing-oil-and-lemon-balm quality, the visual register of apothecary-balm-and-lemon-balm hand-aromatic-resin-and-soothing-oil-and-lemon-balm apothecary-balm-and-lemon-balm-and-Tudor-still-room balm-and-aromatic-resin-and-soothing-oil surfaces under apothecary-balm-and-lemon-balm-and-Tudor-still-room Tudor-still-room-and-monastic-physic-garden apothecary-and-still-room-light. Sits at the modifier-and-flavor end of the grid, parallel to bergamot and hyssop in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c02f2b
Original
#5b5229
Protanopia
#7f7225
Deuteranopia
#d40030
Tritanopia
#4e4e4e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.70:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.68:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C02F2B
Display P3
Display P3
color(display-p3 0.6934 0.2347 0.1999)
P3 has visible headroomOKLCH chroma 0.182

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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