Composed Hyssop Mulberry
Composed Hyssop Mulberry (#BF4EFA) is a true indigo with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (279°, 95%, 64%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary lime. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
The past participle of compose, to arrange together — used as a color modifier for hues that read as deliberate and balanced. Composed black, composed gray: the saturation is moderate, the hue is calmly positioned without aggression. Sits at the bold-and-quiet edge of the grid near settled and resolute.
Hebrew ēzōb, Biblical-purifying-herb. As a color modifier, hyssop implies a Biblical-purifying-herb-and-monastic-physic-garden quality, the visual register of monastic-physic-garden-and-Biblical-hyssop hand-Biblical-purifying-herb-and-monastic-physic-garden monastic-physic-garden-and-Biblical-hyssop-and-Cluniac-cloister hyssop-and-Biblical-purifying-herb surfaces under monastic-physic-garden-and-Biblical-hyssop-and-Cluniac-cloister Cluny-and-Saint-Gall-physic-garden monastic-physic-light. Sits at the modifier-and-flavor end of the grid, parallel to savory and balm in usage.
The genus Morus — the white mulberry (M. alba) feeds silkworms; the black mulberry (M. nigra) bears the deep purple fruit that stains everything it touches. The color refers to a ripe black mulberry: a saturated, slightly red-shifted very deep purple with the slight juiciness of a compound fruit. Cooler than wine, warmer than indigo, with the agricultural weight of a tree that supported the entire Chinese silk industry for two thousand years.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.