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Aligned Wold Verdigris

#bedec0
Notes

Aligned Wold Verdigris (#BEDEC0) is a soft green with a pastel character. It reads calm and airy, with enough chroma to feel intentional rather than washed out. Its HSL profile (124°, 33%, 81%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bedec0
RGB
rgb(190, 222, 192)
HSL
hsl(124, 33%, 81%)
HWB
hwb(124 75% 13%)
OKLCH
oklch(86.9% 0.053 146.8)
P3
color(display-p3 0.7694 0.8668 0.7621)
HSV
hsv(124, 14%, 87%)
LAB
lab(85.50% -16.18 11.22)
LCH
lch(85.50% 19.69 145.26)
CMYK
cmyk(14%, 0%, 14%, 13%)

Etymology

Aligned
adjective

French à-ligne, to-line-up — past-participle of align. As a color modifier, aligned implies a clear-and-axis-coordinated quality where the hue carries the visual register of carefully-parallel-arranged elements. Sits at the crisp-and-balanced end of the grid, parallel to symmetrical and squared in usage.

Wold
modifier

Old English wald, forested upland. As a color modifier, wold implies a chalk-upland-and-grass quality, the visual register of Lincolnshire-and-Yorkshire-Wolds chalk-and-limestone open-upland sheep-pasture-and-arable rolling surfaces under big-sky Lincolnshire-Wolds open-country light. Sits at the modifier-and-place end of the grid, parallel to moor and heath in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bedec0
Original
#dfd8be
Protanopia
#dad4c1
Deuteranopia
#bbdcd5
Tritanopia
#d5d5d5
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.46:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
14.40:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BEDEC0
Display P3
Display P3
color(display-p3 0.7694 0.8668 0.7621)
Inside sRGBOKLCH chroma 0.053

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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