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Stately Swoop Hibiscus

#be2f58
Notes

Stately Swoop Hibiscus (#BE2F58) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (343°, 60%, 46%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#be2f58
RGB
rgb(190, 47, 88)
HSL
hsl(343, 60%, 46%)
HWB
hwb(343 18% 25%)
OKLCH
oklch(53.8% 0.180 9.0)
P3
color(display-p3 0.6862 0.2337 0.3487)
HSV
hsv(343, 75%, 75%)
LAB
lab(43.78% 58.41 11.04)
LCH
lch(43.78% 59.45 10.71)
CMYK
cmyk(0%, 75%, 54%, 25%)

Etymology

Stately
adjective

An adjectival form of state, condition of dignity. Used as a color modifier since the seventeenth century for the deep saturated jewel tones of formal ceremony — the deep blue of a robes-of-state, the deep red of a state-banquet velvet. Sits in the bold-and-formal corner alongside imperial and royal, with slightly less institutional weight.

Swoop
modifier

Old English swāpan, to-sweep-down. As a color modifier, swoop implies a fast-descending-and-arcing-down quality, the visual register of peregrine-falcon-and-stooping-hawk-swoop hand-fast-descending-and-arcing-down peregrine-falcon-and-stooping-hawk-and-eagle swooped-and-fast-descending-and-arcing-down surfaces under peregrine-falcon-and-stooping-hawk-and-eagle cliff-face-and-moorland-and-open-sky raptor-stoop-light. Sits at the modifier-and-mood end of the grid, parallel to flit and glide in usage.

Hibiscus
noun

Hibiscus rosa-sinensis — the showy mallow of Pacific gardens, the Hawaiian state flower, the source of the deep red sorrel tea sold across West Africa as bissap. The color refers to a fully open hibiscus petal at midday: a hot, slightly magenta red with the velvet texture of a single-day bloom. By evening the same flower has wilted; by morning it's gone.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#be2f58
Original
#545559
Protanopia
#797254
Deuteranopia
#cf0240
Tritanopia
#505050
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.62:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.74:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BE2F58
Display P3
Display P3
color(display-p3 0.6862 0.2337 0.3487)
P3 has subtle headroomOKLCH chroma 0.180

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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