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Effervescent Jīnhuáng

#bdb82f
Notes

Effervescent Jīnhuáng (#BDB82F) is a true yellow with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (58°, 60%, 46%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bdb82f
RGB
rgb(189, 184, 47)
HSL
hsl(58, 60%, 46%)
HWB
hwb(58 18% 26%)
OKLCH
oklch(76.3% 0.150 107.3)
P3
color(display-p3 0.7377 0.7222 0.2919)
HSV
hsv(58, 75%, 74%)
LAB
lab(73.09% -13.62 65.22)
LCH
lch(73.09% 66.63 101.79)
CMYK
cmyk(0%, 3%, 75%, 26%)

Etymology

Effervescent
adjective

Latin effervēscēns, boiling-out — present-participle of effervesce, sharing root with fervere (to boil). As a color modifier, effervescent implies a saturated-and-bubbling-and-active quality, the bright color of Champagne-and-Prosecco effervescent-wine carbonation-bubble-light reflection. Sits at the bright-and-effervescent end of the grid, parallel to fizzy and sparkling in usage.

Jīnhuáng
noun

Chinese for gold-yellow — combining jīn (gold) and huáng (yellow). Used in the imperial-yellow silks of late Qing dynasty court robes and the gilt-and-yellow lacquer of Buddhist altarpieces. The color refers to jīnhuáng-glazed Yongzheng-period porcelain: a saturated, slightly cool deep gold-yellow with the high gloss of fired glaze.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bdb82f
Original
#c8b10f
Protanopia
#cab63a
Deuteranopia
#cbac9e
Tritanopia
#afafaf
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.09:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
10.06:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BDB82F
Display P3
Display P3
color(display-p3 0.7377 0.7222 0.2919)
P3 has subtle headroomOKLCH chroma 0.150

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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