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Poised Yamabuki

#bd532b
Notes

Poised Yamabuki (#BD532B) is a true orange with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (16°, 63%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bd532b
RGB
rgb(189, 83, 43)
HSL
hsl(16, 63%, 45%)
HWB
hwb(16 17% 26%)
OKLCH
oklch(57.1% 0.147 40.1)
P3
color(display-p3 0.6900 0.3501 0.2120)
HSV
hsv(16, 77%, 74%)
LAB
lab(48.49% 40.31 43.03)
LCH
lch(48.49% 58.96 46.86)
CMYK
cmyk(0%, 56%, 77%, 26%)

Etymology

Poised
adjective

Old French peser, to weigh — past-participle of poise. As a color modifier, poised implies a saturated-and-balanced-and-confident quality where the hue holds its position with elegant equilibrium. Sits at the bold-and-confident end of the grid, parallel to centered and composed.

Yamabuki
noun

Kerria japonica, the Japanese rose-family shrub whose bright yellow-orange flowers cover steep hillsides in late spring. Yamabuki-iro (mountain-rose color) gave Japanese its name for a saturated yellow-orange hue used in court robes and woodblock prints. The color refers to a fully open kerria flower: a saturated, slightly red-shifted yellow-orange with the satin finish of small five-petaled bloom. Warmer than canary, lighter than marigold.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bd532b
Original
#716426
Protanopia
#8a7c28
Deuteranopia
#d03b4b
Tritanopia
#676767
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.73:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.44:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BD532B
Display P3
Display P3
color(display-p3 0.6900 0.3501 0.2120)
P3 has subtle headroomOKLCH chroma 0.147

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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