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Royal Atrium Rose

#bd3d37
Notes

Royal Atrium Rose (#BD3D37) is a true red with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (3°, 55%, 48%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bd3d37
RGB
rgb(189, 61, 55)
HSL
hsl(3, 55%, 48%)
HWB
hwb(3 22% 26%)
OKLCH
oklch(54.4% 0.165 26.8)
P3
color(display-p3 0.6849 0.2762 0.2397)
HSV
hsv(3, 71%, 74%)
LAB
lab(44.85% 50.85 32.49)
LCH
lch(44.85% 60.34 32.58)
CMYK
cmyk(0%, 68%, 71%, 26%)

Etymology

Royal
noun

The blue of European royal court dress and regalia from the late seventeenth century forward — the color of British peers' robes, French royal sashes, the lining of the crown-jewel cases. The color refers to a saturated, slightly violet-shifted blue with the matte finish of velvet or melton wool dyed to maximum intensity: deeper than cornflower, warmer than ultramarine, with the heraldic weight of a color reserved for monarchs and the official Crown.

Atrium
modifier

Latin atrium, Roman-house-courtyard. As a color modifier, atrium implies a Roman-and-modern-courtyard-with-skylight quality, the visual register of Roman-Pompeii-and-modern-Mid-Century-Modern-atrium hand-built central-courtyard-with-skylight atrium-and-impluvium-and-courtyard architectural surfaces under Roman-and-Mid-Century-Modern atrium-skylight light. Sits at the modifier-and-architecture end of the grid, parallel to loggia and quad in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bd3d37
Original
#615935
Protanopia
#817433
Deuteranopia
#d0183d
Tritanopia
#585858
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.40:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.89:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BD3D37
Display P3
Display P3
color(display-p3 0.6849 0.2762 0.2397)
P3 has subtle headroomOKLCH chroma 0.165

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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