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Resonant Helen Mulberry

#bd2fc7
Notes

Resonant Helen Mulberry (#BD2FC7) is a true violet with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (296°, 62%, 48%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bd2fc7
RGB
rgb(189, 47, 199)
HSL
hsl(296, 62%, 48%)
HWB
hwb(296 18% 22%)
OKLCH
oklch(58.5% 0.239 325.1)
P3
color(display-p3 0.6826 0.2331 0.7553)
HSV
hsv(296, 76%, 78%)
LAB
lab(48.23% 72.10 -49.11)
LCH
lch(48.23% 87.23 325.74)
CMYK
cmyk(5%, 76%, 0%, 22%)

Etymology

Resonant
adjective

Latin resonāns, echoing — present-participle of resonate, sharing root with sonance. As a color modifier, resonant implies a saturated-and-deep-vibrating quality where the hue carries low-frequency visual richness. Sits at the bold-and-resonant end of the grid, parallel to sonorous and resounding in usage.

Helen
modifier

Greek Ἑλένη, Helen-of-Troy. As a color modifier, helen implies a Helen-of-Troy-and-fairest-face quality, the visual register of Helen-of-Troy-and-Tyndareus-Sparta hand-Helen-of-Troy-and-fairest-face Helen-of-Troy-and-Tyndareus-Sparta-and-Iliad-Homeric helen-and-Helen-of-Troy-and-fairest-face surfaces under Helen-of-Troy-and-Tyndareus-Sparta-and-Iliad-Homeric Mycenaean-and-Trojan Bronze-Age-Aegean-light. Sits at the modifier-and-myth end of the grid, parallel to eros and hera in usage.

Mulberry
noun

The genus Morus — the white mulberry (M. alba) feeds silkworms; the black mulberry (M. nigra) bears the deep purple fruit that stains everything it touches. The color refers to a ripe black mulberry: a saturated, slightly red-shifted very deep purple with the slight juiciness of a compound fruit. Cooler than wine, warmer than indigo, with the agricultural weight of a tree that supported the entire Chinese silk industry for two thousand years.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bd2fc7
Original
#0068cb
Protanopia
#5078c3
Deuteranopia
#c14b7a
Tritanopia
#585858
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.78:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.40:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BD2FC7
Display P3
Display P3
color(display-p3 0.6826 0.2331 0.7553)
P3 has visible headroomOKLCH chroma 0.239

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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