colors
Back to gallery

Iridescent Persia Peridot

#bccd3b
Notes

Iridescent Persia Peridot (#BCCD3B) is a true yellow with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (67°, 59%, 52%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bccd3b
RGB
rgb(188, 205, 59)
HSL
hsl(67, 59%, 52%)
HWB
hwb(67 23% 20%)
OKLCH
oklch(80.9% 0.165 116.0)
P3
color(display-p3 0.7497 0.8018 0.3365)
HSV
hsv(67, 71%, 80%)
LAB
lab(78.85% -23.93 66.58)
LCH
lch(78.85% 70.75 109.77)
CMYK
cmyk(8%, 0%, 71%, 20%)

Etymology

Iridescent
adjective

Latin Īris, rainbow — adjectival suffix -escent, named for the Greek goddess of the rainbow. As a color modifier, iridescent implies a saturated-and-multi-spectrum-shifting quality, the bright color of peacock-feather-and-soap-bubble structurally-colored-and-thin-film optical-interference patterns. Sits at the bright-and-shifting end of the grid, parallel to prismatic and holographic in usage.

Persia
modifier

Latin Persia, Persia. As a color modifier, persia implies an Achaemenid-and-Safavid-Imperial quality, the visual register of Achaemenid-Persia-and-Safavid-Persia hand-built Persepolis-and-Isfahan-and-Persian-rug-and-tile Imperial-Persian surfaces under Persepolis-and-Isfahan Achaemenid-and-Safavid Imperial-Persian high-desert light. Sits at the modifier-and-cultural end of the grid, parallel to median and achaemenid in usage.

Peridot
noun

The transparent green variety of olivine — the gem mined from Egyptian Zabargad Island since pharaonic times and now from arid mountain ranges in Pakistan, Arizona, and Vietnam. The color refers to a faceted peridot: a clean, slightly yellow-shifted green with the gem's signature internal warmth. Lighter than emerald, brighter than olivine in its rough state, with the unusual gem-trade quality of being one of the few minerals that occurs in only one color.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bccd3b
Original
#dbc220
Protanopia
#dac447
Deuteranopia
#c8c1b1
Tritanopia
#bfbfbf
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.76:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
11.93:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BCCD3B
Display P3
Display P3
color(display-p3 0.7497 0.8018 0.3365)
P3 has subtle headroomOKLCH chroma 0.165

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas