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Loud Chiton Goldenrod

#bca005
Notes

Loud Chiton Goldenrod (#BCA005) is a true amber with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (51°, 95%, 38%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bca005
RGB
rgb(188, 160, 5)
HSL
hsl(51, 95%, 38%)
HWB
hwb(51 2% 26%)
OKLCH
oklch(71.0% 0.145 96.4)
P3
color(display-p3 0.7193 0.6315 0.2073)
HSV
hsv(51, 97%, 74%)
LAB
lab(66.40% -2.56 69.02)
LCH
lch(66.40% 69.07 92.12)
CMYK
cmyk(0%, 15%, 97%, 26%)

Etymology

Loud
adjective

Old English hlūd, making noise — borrowed metaphorically as a color word since the nineteenth century. Loud red, loud yellow: a color so saturated it announces itself without needing surrounding context. Sits in the bright-bucket extreme alongside electric and striking. Carries a slightly pejorative implication of excess.

Chiton
modifier

Greek χιτών, Hellenic-tunic. As a color modifier, chiton implies a Hellenic-tunic-and-pinned-and-pleated quality, the visual register of Hellenic-Doric-and-Ionic-chiton hand-Hellenic-tunic-and-pinned-and-pleated Hellenic-Doric-and-Ionic-chiton-and-Phidias-Parthenon chiton-and-Hellenic-tunic surfaces under Hellenic-Doric-and-Ionic-chiton-and-Phidias-Parthenon Athenian-Acropolis-and-Hellenic-court Hellenic-tunic-light. Sits at the modifier-and-textile end of the grid, parallel to peplos and tunic in usage.

Goldenrod
noun

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bca005
Original
#b29c00
Protanopia
#b9a51a
Deuteranopia
#cc9288
Tritanopia
#9b9b9b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.57:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.17:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BCA005
Display P3
Display P3
color(display-p3 0.7193 0.6315 0.2073)
P3 has subtle headroomOKLCH chroma 0.145

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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