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Sonorous Murasakiawa

#bc54ab
Notes

Sonorous Murasakiawa (#BC54AB) is a true magenta with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (310°, 44%, 53%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bc54ab
RGB
rgb(188, 84, 171)
HSL
hsl(310, 44%, 53%)
HWB
hwb(310 33% 26%)
OKLCH
oklch(60.6% 0.170 334.2)
P3
color(display-p3 0.6867 0.3532 0.6544)
HSV
hsv(310, 55%, 74%)
LAB
lab(51.81% 52.86 -27.19)
LCH
lch(51.81% 59.44 332.77)
CMYK
cmyk(0%, 55%, 9%, 26%)

Etymology

Sonorous
adjective

Latin sonōrus, resounding — derived from sonus (sound). As a color modifier, sonorous implies a saturated-and-richly-vibrating quality where the hue carries the deep-resonance visual register of a cathedral-organ-pipe low-note. Sits at the bold-and-resonant end of the grid, parallel to resonant and deep in usage.

Murasakiawa
noun

Japanese pale-purple shade (薄紫, usu-murasaki in modern usage) — historically a kasane layer color combining a thin gromwell-dyed silk over a pale silk substrate. Murasakiawa color refers to a Heian-period second-rank kasane sleeve layer: a saturated, slightly cool deep violet with the silk luster of single-bath gromwell-root dye on layered silk crepe. Slightly cooler than full murasaki.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bc54ab
Original
#5372ae
Protanopia
#7281a8
Deuteranopia
#c45a78
Tritanopia
#707070
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.20:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.99:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BC54AB
Display P3
Display P3
color(display-p3 0.6867 0.3532 0.6544)
P3 has subtle headroomOKLCH chroma 0.170

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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