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Forceful Tatar Crimson

#bb5777
Notes

Forceful Tatar Crimson (#BB5777) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (341°, 42%, 54%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bb5777
RGB
rgb(187, 87, 119)
HSL
hsl(341, 42%, 54%)
HWB
hwb(341 34% 27%)
OKLCH
oklch(58.9% 0.133 1.8)
P3
color(display-p3 0.6841 0.3634 0.4653)
HSV
hsv(341, 53%, 73%)
LAB
lab(50.35% 43.62 1.42)
LCH
lch(50.35% 43.65 1.87)
CMYK
cmyk(0%, 53%, 36%, 27%)

Etymology

Forceful
adjective

Old French force, strength — adjectival suffix -ful. As a color modifier, forceful implies a saturated-and-vigorous quality where the hue exerts visual force on its substrate. Sits at the bold-and-saturated end of the grid, parallel to mighty and commanding in tone.

Tatar
modifier

Mongolian Tatar, Tatar. As a color modifier, tatar implies a Kazan-and-Crimean-Khanate quality, the visual register of Tatar-Khanate-of-Kazan-and-Crimea Mongol-successor Central-Asian-and-Eastern-European hand-built Khanate-and-trading-city surfaces under Kazan-and-Crimean Tatar-Khanate post-Mongol-successor trading-and-fortress light. Sits at the modifier-and-cultural end of the grid, parallel to mongol and hun in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bb5777
Original
#686c78
Protanopia
#827f75
Deuteranopia
#c94e63
Tritanopia
#6f6f6f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.43:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.74:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BB5777
Display P3
Display P3
color(display-p3 0.6841 0.3634 0.4653)
P3 has subtle headroomOKLCH chroma 0.133

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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