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Anchored Comet Ruby

#bb2f4c
Notes

Anchored Comet Ruby (#BB2F4C) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (348°, 60%, 46%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bb2f4c
RGB
rgb(187, 47, 76)
HSL
hsl(348, 60%, 46%)
HWB
hwb(348 18% 27%)
OKLCH
oklch(53.0% 0.176 14.0)
P3
color(display-p3 0.6754 0.2320 0.3062)
HSV
hsv(348, 75%, 73%)
LAB
lab(42.95% 56.66 17.29)
LCH
lch(42.95% 59.24 16.97)
CMYK
cmyk(0%, 75%, 59%, 27%)

Etymology

Anchored
adjective

The past participle of anchor, used since the late nineteenth century as a metaphor for secured in place. As a color word, anchored implies a deep saturated tone that grounds a palette — the dark blues, deep greens, and browns that hold a composition together. Sits in the bold-and-deep corner of the grid alongside solid.

Comet
modifier

Greek κομήτης, long-haired-or-tailed-star. As a color modifier, comet implies an icy-and-tailed-and-streaked quality, the visual register of Halley-and-Hale-Bopp-comet hand-icy-and-tailed-and-streaked Halley-and-Hale-Bopp-and-Encke-comet comet-and-icy-and-tailed-and-streaked surfaces under Halley-and-Hale-Bopp-and-Encke-comet sun-grazing-and-coma-and-ion-tail outer-system-arc-light. Sits at the modifier-and-cosmic end of the grid, parallel to meteor and nebula in usage.

Ruby
noun

From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bb2f4c
Original
#55534c
Protanopia
#797048
Deuteranopia
#cd003b
Tritanopia
#4f4f4f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.79:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.62:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BB2F4C
Display P3
Display P3
color(display-p3 0.6754 0.2320 0.3062)
P3 has subtle headroomOKLCH chroma 0.176

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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