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Dominant Karakurenai

#bb2d4b
Notes

Dominant Karakurenai (#BB2D4B) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (347°, 61%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bb2d4b
RGB
rgb(187, 45, 75)
HSL
hsl(347, 61%, 45%)
HWB
hwb(347 18% 27%)
OKLCH
oklch(52.8% 0.177 14.1)
P3
color(display-p3 0.6751 0.2262 0.3024)
HSV
hsv(347, 76%, 73%)
LAB
lab(42.69% 57.25 17.57)
LCH
lch(42.69% 59.89 17.06)
CMYK
cmyk(0%, 76%, 60%, 27%)

Etymology

Dominant
adjective

Latin dominārī, to rule — present-participle of dominate. As a color modifier, dominant implies a saturated-and-leading quality where the hue claims visual precedence over neighboring colors in the surrounding palette. Sits at the bold-and-imperative end of the grid, parallel to commanding and authoritative.

Karakurenai
noun

Literally Chinese crimson in Japanese — the deep, saturated red associated with imported Tang-dynasty silks and the Heian-period aristocratic taste for continental luxury. The color refers to a karakurenai-dyed silk preserved in the Imperial Repository at Shōsō-in: a saturated, slightly cool deep red with the matte finish of layered aka-kō dye. Deeper than akane, cooler than vermillion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bb2d4b
Original
#54524b
Protanopia
#786f47
Deuteranopia
#cd003a
Tritanopia
#4d4d4d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.85:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.59:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BB2D4B
Display P3
Display P3
color(display-p3 0.6751 0.2262 0.3024)
P3 has subtle headroomOKLCH chroma 0.177

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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