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Opulent Murasakiawa

#bb2ab6
Notes

Opulent Murasakiawa (#BB2AB6) is a true violet with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (302°, 63%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bb2ab6
RGB
rgb(187, 42, 182)
HSL
hsl(302, 63%, 45%)
HWB
hwb(302 16% 27%)
OKLCH
oklch(56.9% 0.230 329.7)
P3
color(display-p3 0.6747 0.2177 0.6916)
HSV
hsv(302, 78%, 73%)
LAB
lab(46.45% 70.38 -42.07)
LCH
lch(46.45% 81.99 329.13)
CMYK
cmyk(0%, 78%, 3%, 27%)

Etymology

Opulent
adjective

Latin opulentus, rich / wealthy — derived from ops (wealth). As a color modifier, opulent implies a saturated-and-luxurious quality, the deep-rich color of Belle-Époque and Gilded-Age interior-decoration silk-and-velvet textiles. Sits at the bold-and-saturated end of the grid, parallel to lavish and sumptuous.

Murasakiawa
noun

Japanese pale-purple shade (薄紫, usu-murasaki in modern usage) — historically a kasane layer color combining a thin gromwell-dyed silk over a pale silk substrate. Murasakiawa color refers to a Heian-period second-rank kasane sleeve layer: a saturated, slightly cool deep violet with the silk luster of single-bath gromwell-root dye on layered silk crepe. Slightly cooler than full murasaki.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bb2ab6
Original
#0e62ba
Protanopia
#5775b3
Deuteranopia
#c24070
Tritanopia
#535353
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.10:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.12:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BB2AB6
Display P3
Display P3
color(display-p3 0.6747 0.2177 0.6916)
P3 has visible headroomOKLCH chroma 0.230

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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