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Armored Aries Crimson

#bb2a27
Notes

Armored Aries Crimson (#BB2A27) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (1°, 65%, 44%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bb2a27
RGB
rgb(187, 42, 39)
HSL
hsl(1, 65%, 44%)
HWB
hwb(1 15% 27%)
OKLCH
oklch(52.0% 0.182 27.2)
P3
color(display-p3 0.6747 0.2177 0.1851)
HSV
hsv(1, 79%, 73%)
LAB
lab(41.80% 56.41 38.16)
LCH
lch(41.80% 68.11 34.08)
CMYK
cmyk(0%, 78%, 79%, 27%)

Etymology

Armored
adjective

Old French armëure, armor — past-participle of armor, derived from Latin arma (weapons). As a color modifier, armored implies a saturated-and-armor-clad-and-defensive quality, the deep-rich color of medieval-knight full-plate-armor visible-and-formidable battle-presence. Sits at the bold-and-fortified end of the grid, parallel to ironclad and shielded.

Aries
modifier

Latin aries, ram-of-the-fleece. As a color modifier, aries implies a ram-and-fire-sign-and-Mars-ruled-cardinal-fire quality, the visual register of Babylonian-ram-and-Greek-Aries hand-ram-and-fire-sign-and-Mars-ruled-cardinal-fire Babylonian-ram-and-Greek-Aries-and-Golden-Fleece aries-and-ram-and-fire-sign surfaces under Babylonian-ram-and-Greek-Aries-and-Golden-Fleece spring-equinox-and-March-and-April fire-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to taurus and gemini in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bb2a27
Original
#574e25
Protanopia
#7b6e20
Deuteranopia
#ce002b
Tritanopia
#494949
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.05:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.47:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BB2A27
Display P3
Display P3
color(display-p3 0.6747 0.2177 0.1851)
P3 has visible headroomOKLCH chroma 0.182

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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