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Brimming Rosaniline

#bb1192
Notes

Brimming Rosaniline (#BB1192) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (314°, 83%, 40%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bb1192
RGB
rgb(187, 17, 146)
HSL
hsl(314, 83%, 40%)
HWB
hwb(314 7% 27%)
OKLCH
oklch(53.7% 0.224 341.6)
P3
color(display-p3 0.6724 0.1597 0.5570)
HSV
hsv(314, 91%, 73%)
LAB
lab(42.83% 70.51 -26.27)
LCH
lch(42.83% 75.25 339.57)
CMYK
cmyk(0%, 91%, 22%, 27%)

Etymology

Brimming
adjective

Old English brymme, brim / edge — present-participle of brim. As a color modifier, brimming implies a saturated-and-overflowing quality where the hue spills past the edge of its visual container with rich pigmentation. Sits at the bold-and-saturated end of the grid, parallel to replete and abundant.

Rosaniline
noun

Synthetic-organic dye class derived from fuchsine, the triphenylmethane free-base of fuchsine hydrochloride synthesized by Verguin and refined by August Wilhelm Hofmann in the early 1860s. Rosaniline color refers to a freshly rosaniline-dyed Mid-Victorian silk taffeta: a saturated, slightly cool deep magenta with the silky luster of synthetic aniline dye. The dye is the basis for crystal violet and gentian violet.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bb1192
Original
#2a5595
Protanopia
#626e8f
Deuteranopia
#c71756
Tritanopia
#3e3e3e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.82:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.61:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BB1192
Display P3
Display P3
color(display-p3 0.6724 0.1597 0.5570)
P3 has visible headroomOKLCH chroma 0.224

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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