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Energetic Tuscan

#bad951
Notes

Energetic Tuscan (#BAD951) is a true yellow with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (74°, 64%, 58%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bad951
RGB
rgb(186, 217, 81)
HSL
hsl(74, 64%, 58%)
HWB
hwb(74 32% 15%)
OKLCH
oklch(83.7% 0.164 121.0)
P3
color(display-p3 0.7529 0.8473 0.4010)
HSV
hsv(74, 63%, 85%)
LAB
lab(82.20% -29.14 61.52)
LCH
lch(82.20% 68.08 115.34)
CMYK
cmyk(14%, 0%, 63%, 15%)

Etymology

Energetic
adjective

Greek energētikós, active — derived from energeia (activity). As a color modifier, energetic implies a saturated-and-kinetic-and-active quality where the hue carries visual vibration and movement-suggestion that engages the eye dynamically. Sits at the bright-and-active end of the grid, parallel to dynamic and spirited in usage.

Tuscan
noun

Of Toscana, the central Italian region whose pale ochre stucco and warm terracotta roofs define a regional palette. The color Tuscan yellow refers to the limewash of Florentine and Sienese palazzo facades — a soft, slightly muted gold that's warmer than cream and lighter than honey. The pigment is the same iron-rich earth that gives sienna its name; mixed with lime, it ages to the patina of half a millennium.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bad951
Original
#e6cd40
Protanopia
#e2cd5b
Deuteranopia
#c3cebd
Tritanopia
#c9c9c9
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.60:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
13.13:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BAD951
Display P3
Display P3
color(display-p3 0.7529 0.8473 0.4010)
P3 has subtle headroomOKLCH chroma 0.164

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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