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Magisterial Slick Crimson

#ba346e
Notes

Magisterial Slick Crimson (#BA346E) is a true magenta with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (334°, 56%, 47%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ba346e
RGB
rgb(186, 52, 110)
HSL
hsl(334, 56%, 47%)
HWB
hwb(334 20% 27%)
OKLCH
oklch(54.3% 0.177 358.5)
P3
color(display-p3 0.6726 0.2465 0.4273)
HSV
hsv(334, 72%, 73%)
LAB
lab(44.27% 57.54 -2.02)
LCH
lch(44.27% 57.58 357.99)
CMYK
cmyk(0%, 72%, 41%, 27%)

Etymology

Magisterial
adjective

Latin magisterium, teacher's office — adjectival suffix -al. As a color modifier, magisterial implies a saturated-and-authoritative-and-formal quality, the deep-rich color of Qing-dynasty civil-magistrate court-and-ritual textiles and Imperial-Examination scholar-class livery. Sits at the bold-and-authoritative end of the grid, parallel to authoritative and commanding.

Slick
modifier

Old Norse slíkr, slick / smooth. As a color modifier, slick implies a wet-and-glossy quality, the visual register of oil-and-water-slick wet-and-glossy oil-and-water-slick reflective-surface slick-and-glossy-and-reflective surfaces under wet-oil-and-water-slick reflective-light. Sits at the modifier-and-texture end of the grid, parallel to sleek and gloss in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ba346e
Original
#4f586f
Protanopia
#74726b
Deuteranopia
#c9234d
Tritanopia
#555555
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.52:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.80:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BA346E
Display P3
Display P3
color(display-p3 0.6726 0.2465 0.4273)
P3 has subtle headroomOKLCH chroma 0.177

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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