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Punchy Meteor Hibiscus

#ba315f
Notes

Punchy Meteor Hibiscus (#BA315F) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (340°, 58%, 46%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ba315f
RGB
rgb(186, 49, 95)
HSL
hsl(340, 58%, 46%)
HWB
hwb(340 19% 27%)
OKLCH
oklch(53.5% 0.175 5.3)
P3
color(display-p3 0.6721 0.2374 0.3731)
HSV
hsv(340, 74%, 73%)
LAB
lab(43.46% 57.17 6.12)
LCH
lch(43.46% 57.49 6.11)
CMYK
cmyk(0%, 74%, 49%, 27%)

Etymology

Punchy
adjective

A modern adjectival form of punch, to strike sharply. Used as a color word since the early twentieth century for hues that read as highly contrasting and visually loud. Punchy red, punchy yellow: the implication is full saturation combined with optical impact. Sits across the bold and bright buckets, near vivid and striking.

Meteor
modifier

Greek μετέωρος, suspended-in-air. As a color modifier, meteor implies a streaking-and-burning-and-shooting-star quality, the visual register of Perseids-and-Leonids-meteor hand-streaking-and-burning-and-shooting-star Perseids-and-Leonids-and-Geminids-meteor meteor-and-streaking-and-burning-and-shooting-star surfaces under Perseids-and-Leonids-and-Geminids-meteor August-and-November-and-December-night-sky shooting-star-light. Sits at the modifier-and-cosmic end of the grid, parallel to comet and nova in usage.

Hibiscus
noun

Hibiscus rosa-sinensis — the showy mallow of Pacific gardens, the Hawaiian state flower, the source of the deep red sorrel tea sold across West Africa as bissap. The color refers to a fully open hibiscus petal at midday: a hot, slightly magenta red with the velvet texture of a single-day bloom. By evening the same flower has wilted; by morning it's gone.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ba315f
Original
#525560
Protanopia
#76715c
Deuteranopia
#ca1444
Tritanopia
#515151
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.69:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.69:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BA315F
Display P3
Display P3
color(display-p3 0.6721 0.2374 0.3731)
P3 has subtle headroomOKLCH chroma 0.175

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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