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Shielded Dell Crimson

#ba2d2f
Notes

Shielded Dell Crimson (#BA2D2F) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (359°, 61%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ba2d2f
RGB
rgb(186, 45, 47)
HSL
hsl(359, 61%, 45%)
HWB
hwb(359 18% 27%)
OKLCH
oklch(52.2% 0.178 25.3)
P3
color(display-p3 0.6715 0.2257 0.2096)
HSV
hsv(359, 76%, 73%)
LAB
lab(42.04% 55.45 33.78)
LCH
lch(42.04% 64.93 31.35)
CMYK
cmyk(0%, 76%, 75%, 27%)

Etymology

Shielded
adjective

Old English scild, shield — past-participle of shield, sharing root with German Schild. As a color modifier, shielded implies a saturated-and-protected-and-defensive quality, the deep-rich color of medieval-knight armorial-shield-and-coat-of-arms heraldic display. Sits at the bold-and-fortified end of the grid, parallel to armored and bastioned.

Dell
modifier

Old English dell, small wooded valley. As a color modifier, dell implies a small-wooded-hollow quality, the visual register of Sussex-and-Kentish-Weald small wooded river-valley shaded-and-mossy hand-walked path-side surfaces in dappled-and-leaf-litter-strewn English woodland-light. Sits at the modifier-and-place end of the grid, parallel to glen and copse in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ba2d2f
Original
#58502d
Protanopia
#7b6e2a
Deuteranopia
#cd0030
Tritanopia
#4b4b4b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.99:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.50:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BA2D2F
Display P3
Display P3
color(display-p3 0.6715 0.2257 0.2096)
P3 has subtle headroomOKLCH chroma 0.178

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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