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Sonorous Ruff Crimson

#ba282a
Notes

Sonorous Ruff Crimson (#BA282A) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (359°, 65%, 44%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ba282a
RGB
rgb(186, 40, 42)
HSL
hsl(359, 65%, 44%)
HWB
hwb(359 16% 27%)
OKLCH
oklch(51.7% 0.182 25.8)
P3
color(display-p3 0.6709 0.2115 0.1931)
HSV
hsv(359, 78%, 73%)
LAB
lab(41.42% 56.83 36.00)
LCH
lch(41.42% 67.27 32.36)
CMYK
cmyk(0%, 78%, 77%, 27%)

Etymology

Sonorous
adjective

Latin sonōrus, resounding — derived from sonus (sound). As a color modifier, sonorous implies a saturated-and-richly-vibrating quality where the hue carries the deep-resonance visual register of a cathedral-organ-pipe low-note. Sits at the bold-and-resonant end of the grid, parallel to resonant and deep in usage.

Ruff
modifier

Old English ruffe, Elizabethan-pleated-collar. As a color modifier, ruff implies a starched-and-Elizabethan-pleated-collar quality, the visual register of Elizabethan-and-Spanish-Habsburg-ruff hand-starched-and-Elizabethan-pleated-collar Elizabethan-and-Spanish-Habsburg-ruff-and-Holbein-portrait ruff-and-starched-and-Elizabethan-pleated-collar surfaces under Elizabethan-and-Spanish-Habsburg-ruff-and-Holbein-portrait Tudor-and-Spanish-Habsburg-court starched-collar-light. Sits at the modifier-and-textile end of the grid, parallel to gown and frock in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ba282a
Original
#564e28
Protanopia
#7a6d24
Deuteranopia
#cd002b
Tritanopia
#474747
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.13:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.42:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BA282A
Display P3
Display P3
color(display-p3 0.6709 0.2115 0.1931)
P3 has visible headroomOKLCH chroma 0.182

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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