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Scattered Sumi

#b9c1e3
Notes

Scattered Sumi (#B9C1E3) is a soft blue with a pastel character. It reads calm and airy, with enough chroma to feel intentional rather than washed out. Its HSL profile (229°, 43%, 81%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b9c1e3
RGB
rgb(185, 193, 227)
HSL
hsl(229, 43%, 81%)
HWB
hwb(229 73% 11%)
OKLCH
oklch(81.6% 0.049 274.8)
P3
color(display-p3 0.7312 0.7558 0.8789)
HSV
hsv(229, 19%, 89%)
LAB
lab(78.46% 4.23 -17.83)
LCH
lch(78.46% 18.32 283.34)
CMYK
cmyk(19%, 15%, 0%, 11%)

Etymology

Scattered
adjective

Old English scaterian, to scatter — past-participle of scatter. As a color modifier, scattered implies a pale-and-randomly-distributed-and-fragmented quality where the hue carries the visual register of random-and-irregular deposit-pattern decorative-and-irregular distribution. Sits at the pale-and-soft end of the grid, parallel to sprinkled and dappled in usage.

Sumi
noun

Japanese ink stick, made from soot of pine resin or sesame oil mixed with animal-glue binder, used in sumi-e brush painting and shodō calligraphy. Although nominally black, undiluted sumi on rice paper carries a deep blue-violet undertone. Sumi color refers to a heavily-loaded sumi brushstroke: a saturated, slightly cool deep blue-violet with the matte finish of pine-soot ink on absorbent washi.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b9c1e3
Original
#b8c4e5
Protanopia
#b5c1e2
Deuteranopia
#afc7cc
Tritanopia
#c2c2c2
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.78:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
11.80:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B9C1E3
Display P3
Display P3
color(display-p3 0.7312 0.7558 0.8789)
Inside sRGBOKLCH chroma 0.049

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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