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Sumptuous Sangria

#b94da3
Notes

Sumptuous Sangria (#B94DA3) is a true magenta with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (312°, 44%, 51%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b94da3
RGB
rgb(185, 77, 163)
HSL
hsl(312, 44%, 51%)
HWB
hwb(312 30% 27%)
OKLCH
oklch(59.0% 0.172 336.2)
P3
color(display-p3 0.6743 0.3280 0.6239)
HSV
hsv(312, 58%, 73%)
LAB
lab(49.82% 53.95 -25.61)
LCH
lch(49.82% 59.72 334.60)
CMYK
cmyk(0%, 58%, 12%, 27%)

Etymology

Sumptuous
adjective

Latin sūmptuōsus, expensive — derived from sūmptus (expense). As a color modifier, sumptuous implies a saturated-and-rich-and-luxurious quality, the deep-rich color of Burgundy-and-Champagne-Court late-medieval silk-and-velvet livery in the Très-Riches-Heures manuscript tradition. Sits at the bold-and-saturated end of the grid, parallel to opulent and lavish.

Sangria
noun

Spanish for bleeding — the wine punch named for its color, not the other way around. The color is the deep red of Tempranillo or Garnacha aerated with citrus and fruit: a warm, slightly translucent red-violet that catches light through a glass jug. Less black than burgundy, warmer than wine, with the dusty rim of a long afternoon.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b94da3
Original
#4e6ca6
Protanopia
#6f7ca0
Deuteranopia
#c25271
Tritanopia
#6a6a6a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.51:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.65:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B94DA3
Display P3
Display P3
color(display-p3 0.6743 0.3280 0.6239)
P3 has subtle headroomOKLCH chroma 0.172

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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