Armored Gilt Crimson

Old French armëure, armor — past-participle of armor, derived from Latin arma (weapons). As a color modifier, armored implies a saturated-and-armor-clad-and-defensive quality, the deep-rich color of medieval-knight full-plate-armor visible-and-formidable battle-presence. Sits at the bold-and-fortified end of the grid, parallel to ironclad and shielded.

Old English gyldan, to-gild. As a color modifier, gilt implies a thin-gold-leaf-coating quality, the visual register of medieval-illuminated-manuscript-and-Renaissance-altarpiece hand-applied-and-burnished gold-leaf-coating gilt-and-gold-leaf surfaces under medieval-and-Renaissance hand-applied-gilt altarpiece-and-manuscript light. Sits at the modifier-and-texture end of the grid, parallel to gold and gloss in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.