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Manorial Lent Hibiscus

#b93559
Notes

Manorial Lent Hibiscus (#B93559) is a true red with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (344°, 55%, 47%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b93559
RGB
rgb(185, 53, 89)
HSL
hsl(344, 55%, 47%)
HWB
hwb(344 21% 27%)
OKLCH
oklch(53.6% 0.169 8.8)
P3
color(display-p3 0.6692 0.2491 0.3522)
HSV
hsv(344, 71%, 73%)
LAB
lab(43.63% 54.93 10.07)
LCH
lch(43.63% 55.85 10.39)
CMYK
cmyk(0%, 71%, 52%, 27%)

Etymology

Manorial
adjective

Latin manōrium, dwelling — adjectival suffix -al, derived from manēre (to remain). As a color modifier, manorial implies a saturated-and-aristocratic-and-rural quality, the deep-rich color of pre-modern English manor-house livery-and-tapestry tradition. Sits at the bold-and-aristocratic end of the grid, parallel to lordly and patrician.

Lent
modifier

Latin Lententide, Lent / spring. As a color modifier, lent implies a Lenten-and-fasting-and-purple quality, the visual register of Roman-Catholic-and-Anglican Lenten-period purple-vestment-and-fast-and-ash-Wednesday liturgical surfaces under Lenten-purple ecclesiastical-vestment candlelight. Sits at the modifier-and-time end of the grid, parallel to advent and easter in usage.

Hibiscus
noun

Hibiscus rosa-sinensis — the showy mallow of Pacific gardens, the Hawaiian state flower, the source of the deep red sorrel tea sold across West Africa as bissap. The color refers to a fully open hibiscus petal at midday: a hot, slightly magenta red with the velvet texture of a single-day bloom. By evening the same flower has wilted; by morning it's gone.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b93559
Original
#55565a
Protanopia
#777156
Deuteranopia
#ca1944
Tritanopia
#545454
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.65:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.72:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B93559
Display P3
Display P3
color(display-p3 0.6692 0.2491 0.3522)
P3 has subtle headroomOKLCH chroma 0.169

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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