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Brimming Nun Crimson

#b92b23
Notes

Brimming Nun Crimson (#B92B23) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (3°, 68%, 43%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b92b23
RGB
rgb(185, 43, 35)
HSL
hsl(3, 68%, 43%)
HWB
hwb(3 14% 27%)
OKLCH
oklch(51.7% 0.180 28.5)
P3
color(display-p3 0.6677 0.2194 0.1731)
HSV
hsv(3, 81%, 73%)
LAB
lab(41.48% 55.36 39.91)
LCH
lch(41.48% 68.25 35.79)
CMYK
cmyk(0%, 77%, 81%, 27%)

Etymology

Brimming
adjective

Old English brymme, brim / edge — present-participle of brim. As a color modifier, brimming implies a saturated-and-overflowing quality where the hue spills past the edge of its visual container with rich pigmentation. Sits at the bold-and-saturated end of the grid, parallel to replete and abundant.

Nun
modifier

Latin nonna, mother / nun. As a color modifier, nun implies a Carmelite-and-Benedictine-religious-sister quality, the visual register of Carmelite-and-Benedictine-Nun hand-spun robe-and-veil-and-wimple Carmelite-and-Benedictine-religious-sister surfaces under Carmelite-and-Benedictine-Religious-Sister hand-spun-robe-and-wimple convent-cloister light. Sits at the modifier-and-cultural end of the grid, parallel to monk and friar in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b92b23
Original
#574e20
Protanopia
#7a6d1c
Deuteranopia
#cc002b
Tritanopia
#494949
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.12:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.43:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B92B23
Display P3
Display P3
color(display-p3 0.6677 0.2194 0.1731)
P3 has subtle headroomOKLCH chroma 0.180

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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