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Manic Tyrian

#b867e3
Notes

Manic Tyrian (#B867E3) is a true indigo with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (279°, 69%, 65%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary lime. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b867e3
RGB
rgb(184, 103, 227)
HSL
hsl(279, 69%, 65%)
HWB
hwb(279 40% 11%)
OKLCH
oklch(65.6% 0.191 312.5)
P3
color(display-p3 0.6787 0.4196 0.8637)
HSV
hsv(279, 55%, 89%)
LAB
lab(57.50% 53.08 -50.33)
LCH
lch(57.50% 73.15 316.52)
CMYK
cmyk(19%, 55%, 0%, 11%)

Etymology

Manic
adjective

Greek manikós, raving / mad — sharing root with mania. As a color modifier, manic implies a saturated-and-overstimulated-and-extreme quality, the bright color of Andy-Warhol-and-Pop-Art late-Pop-Art repeated-and-multiplied portrait color schemes. Sits at the bright-and-active end of the grid, parallel to hyper and frenetic in usage.

Tyrian
noun

Historical Phoenician Tyrian purple (purpura) — derived from the Bolinus brandaris and Hexaplex trunculus sea-snail hypobranchial-gland secretion, processed at industrial scale on the Lebanese coast from 1500 BCE to 1453 CE. Tyrian color refers to a freshly Tyrian-purple-dyed Roman toga picta: a saturated, slightly cool deep violet with the matte finish of multi-bath Murex shellfish-dye on woolen toga cloth.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b867e3
Original
#4486e7
Protanopia
#608ce0
Deuteranopia
#b47c9b
Tritanopia
#818181
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.45:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.09:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B867E3
Display P3
Display P3
color(display-p3 0.6787 0.4196 0.8637)
P3 has visible headroomOKLCH chroma 0.191

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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