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Plentiful Sleek Fuchsia

#b82fce
Notes

Plentiful Sleek Fuchsia (#B82FCE) is a true violet with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (292°, 63%, 50%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b82fce
RGB
rgb(184, 47, 206)
HSL
hsl(292, 63%, 50%)
HWB
hwb(292 18% 19%)
OKLCH
oklch(58.3% 0.243 321.6)
P3
color(display-p3 0.6646 0.2304 0.7811)
HSV
hsv(292, 77%, 81%)
LAB
lab(47.86% 72.31 -53.80)
LCH
lch(47.86% 90.13 323.35)
CMYK
cmyk(11%, 77%, 0%, 19%)

Etymology

Plentiful
adjective

Old French plentif, abundant — adjectival suffix -ful, derived from Latin plēnitās (fullness). As a color modifier, plentiful implies a saturated-and-generous quality where the hue carries rich visual abundance without restraint. Sits at the bold-and-saturated end of the grid, parallel to abundant and bountiful.

Sleek
modifier

Middle Dutch sleeck, smooth. As a color modifier, sleek implies a smooth-and-streamlined quality, the visual register of Mid-Century-Modern-and-Streamline-Moderne-sleek hand-streamlined-and-aerodynamic-and-polished aluminum-and-chrome-and-bakelite Mid-Century-Modern-and-Streamline-Moderne sleek-and-streamlined surfaces under Mid-Century-Modern-and-Streamline-Moderne sleek-and-polished light. Sits at the modifier-and-texture end of the grid, parallel to gloss and shine in usage.

Fuchsia
noun

The genus Fuchsia — South American shrubs named in 1703 for the German botanist Leonhart Fuchs. The color refers to the calyx and tube of a vibrant Fuchsia magellanica hybrid: a saturated, slightly cool deep pink-magenta with the satiny finish of a tubular hummingbird-pollinated flower. Brighter than rose, warmer than orchid, with the bedding-and-basket weight of a plant genus whose flowers gave English the most attention-demanding pink in the spectrum.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b82fce
Original
#0068d2
Protanopia
#4576ca
Deuteranopia
#ba507e
Tritanopia
#585858
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.84:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.34:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B82FCE
Display P3
Display P3
color(display-p3 0.6646 0.2304 0.7811)
P3 has visible headroomOKLCH chroma 0.243

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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