Opulent Float Rose

Latin opulentus, rich / wealthy — derived from ops (wealth). As a color modifier, opulent implies a saturated-and-luxurious quality, the deep-rich color of Belle-Époque and Gilded-Age interior-decoration silk-and-velvet textiles. Sits at the bold-and-saturated end of the grid, parallel to lavish and sumptuous.

Old English flotian, to-move-on-water-surface. As a color modifier, float implies a buoyant-and-untethered-and-drifting quality, the visual register of lotus-pond-and-petal-on-river-float hand-buoyant-and-untethered-and-drifting lotus-pond-and-petal-on-river-and-paper-lantern floated-and-buoyant-and-untethered-and-drifting surfaces under lotus-pond-and-petal-on-river-and-paper-lantern Heian-and-Edo-and-Yangtze still-water-light. Sits at the modifier-and-mood end of the grid, parallel to drift and hover in usage.

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.