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Sovereign Path Crimson

#b82e2c
Notes

Sovereign Path Crimson (#B82E2C) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (1°, 61%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b82e2c
RGB
rgb(184, 46, 44)
HSL
hsl(1, 61%, 45%)
HWB
hwb(1 17% 28%)
OKLCH
oklch(51.9% 0.175 26.4)
P3
color(display-p3 0.6645 0.2275 0.2000)
HSV
hsv(1, 76%, 72%)
LAB
lab(41.74% 54.38 35.08)
LCH
lch(41.74% 64.71 32.83)
CMYK
cmyk(0%, 75%, 76%, 28%)

Etymology

Sovereign
adjective

Old French soverain, supreme — derived from Latin super (above). As a color modifier, sovereign implies a saturated-and-royal-supremacy quality where the hue carries imperial-ruling-class register. Sits at the bold-and-imperial end of the grid, parallel to regal and imperial in tone.

Path
modifier

Old English pæth, foot-trodden way. As a color modifier, path implies a foot-worn-pasture-track quality, the visual register of South-Downs-Way-and-Pennine-Way foot-trodden chalk-and-limestone-and-peat long-distance walking-track surfaces under hill-and-moorland English-walking-country light. Sits at the modifier-and-place end of the grid, parallel to lane and road in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b82e2c
Original
#584f2a
Protanopia
#7a6d27
Deuteranopia
#cb002f
Tritanopia
#4b4b4b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.06:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.47:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B82E2C
Display P3
Display P3
color(display-p3 0.6645 0.2275 0.2000)
P3 has subtle headroomOKLCH chroma 0.175

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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