Tranquil Moonstone
Tranquil Moonstone (#B7B9C1) is a pale neutral with a mono character. It's a grayscale value, at home in typography, dividers, and the structural layer beneath stronger colors. Its HSL profile (228°, 7%, 74%) places it in the muted band at a light lightness. It works as a soft page background, card surface, or low-key divider. Avoid it for body text against white. Pair it with almost any saturated accent. It's built to sit underneath or behind stronger colors without fighting them.
Etymology
Latin tranquillus, calm, still — used as a color modifier since the sixteenth century for hues that read as deeply restful, with the slight institutional weight of a word that names its own kind of room and prescribes a specific kind of light. Tranquil gray, tranquil cream: low saturation combined with optical stillness. Sits at the neutral-bucket alongside calm and quiet.
A variety of orthoclase feldspar with optical adularescence — a milky shimmer caused by light scattering off internal lamellae. Mined principally in Sri Lanka. The color refers to a polished moonstone cabochon: a soft, very pale slightly cool gray-white with the cloudy translucency and optical movement that gives the gem its name. Cooler than pearl.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
This color has effectively no chroma (OKLCH C = 0.011) — it’s on the grayscale axis. Hue rotations don’t change a grayscale color, so complementary, analogous, triadic, and split-complementary all reduce to the same value. They aren’t shown because four identical tiles would be misleading.
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.